Standby observes the drama leading up to a pivotal performance for one of its characters. We use the action as a framework to explore scene subtext- who should have the part? Is the best auditioner, the better performer, or the better pitcher? Should the role go to the one who works harder, or the one that seems right?
Duality informs the framing. Early two shots divide and parallel characters that suffer in singles as they journey deeper into the film, leading to the symmetrical singles of the finale. Static shots slowly give away to movement, ending in a montage of rhythmic movements. Match cuts and echoed parallel frames connect moments across the film.
Standby was conceived to feature the talents of its three actresses- esther, pallavi and phoebe. The script reworked a screenplay by cathy friend called ‘besties”.
Filmed over two days at the zenith theatre and excelsia college in sydney. Post-production was an international collaboration during the covid-19 lockdown- with an editor in sweden, a direc tor in australia, and music composers in milan.
Ria is from an acting family. Ria is conscientious and discipluned She went to drama school with tash, and this production is her first significant opportunity as even at school lead roles tended to go to others with more presence Ria has noticed a cycle and her studies where she overworks material, while others who dont work as hard experience a more intuitive connection on stage
Tash was a very promising actor from a regional city Where this was less common. Her mother was a teacher and now Suffers from a degenerative condition. Tash’s move to study in the City necessitated hiring a nurse, and tash’s old school friend alice Took the job. Tash feels the need to be a success’ to her family Back home hence the lie about playing viola. She is often Overwhelmed by the surplus of acting talent in the city, and Struggles with the audition process, even though she is very Natural in the moment of performance.
Alice And Tash Were At High School Together And Alice Tended To Shelter Tash Academicaly At That Time Alice Fears That Tash Is Guilty About Not Carng For Her Own Mother, And Tries To Motivate connection Between The Two She Came To The Play Expecting To See Tash Perform The Role. But Cant Help But Notice That There Is A Tension Present
RIA. PHOEBE GRIBBLE
TASH. ESTHER WILLIAMS
ALICE. PALLAVI WARDEN
Written, Directed And Produced By
Director of Photography
Sara Dolado, Pablo Anson
Addtional Sound Editor
Jacob Hafner Keelan
Sean Victoriano, Paul D’indy
Alex Plenge Chan
Production Design Assist
Featuring Characters From
“Besties’ By Cathy Friend
Eletronic Press Kit
© 2020 – Standby | Developed by MetaKave Designs
When Ziva happens upon an invitation to a Tea Party for Sad People, she is drawn into a surreal Purgatory where sadness is sought for all the wrong reasons. Tears are a source of pride, no matter how minor the trigger, and status is about how sad your story is.
The mysterious Joy fetishises sorrow, and eschews all solids. The amiable Lavender isn’t particularly sad that’s why she carries an onion in her hankie. Jill is the alpha of the pack, policing the etiquette of sadness.
How will the ladies react to Ziva’s sob story?