A true city film: loneliness is the only constant, intimacy is only possible with strangers, and what little solace can be had is transient. As strong as it all is, the pleasure is in the detail. The gentle humour of manners (‘the food was too salty today’). The mental image of a man standing in his grave. The food. And 2014’s nicest use of the acousmetre character in Ila’s unseen ‘aunty’ (apologies to Spike Jonze). In the spirit of In the Mood for Love and Brief Encounter, sharing their affinity for social texture.
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